《铃芽之旅》:没什么意思的旅行冒险动画

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时隔三年,新海诚的又一部动画电影上映了,赶在有时间的时候迅速去看了。然而,并没有什么意思,就像是平时喝白开水一样,感觉不到任何东西。不知是我口味变得更高了还是诚哥水平着实下降了,或许两者都有吧。

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记得最初看新海诚电影的时候,还是多年前在大学里。那时候看很多日本的动画,也并不知道新海诚,只是看到一些推荐的清单里有他的作品,便一起看了。

印象最深刻的是《秒速五厘米》,当时第一次看到这种类型的动画电影,便被影片中那种疲惫的日常生活中被不断磨灭的曾经的感情、热情与愿望一点点消逝的绝望和无力感深深吸引了。犹记得最后铁路两侧来不及道重逢便被彻底永远分开再没见过说上一句话的两个人,那个画面深刻在我的印象里,直到今天依旧无法消散。

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除此之外,新海诚的众多电影也在诉说类似但不相同的情感,《她和她的猫》《星之声》《云之彼端,约定的地方》。

新海诚的电影,个人风格明显。在他的影片里,孤独、美好事物的消逝、穿越时空与距离的思念、日常生活中充斥细小琐碎的悲伤,这些无处不在,这也是他的特色。

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故事情节薄弱、擅长抒情一直是新海诚的特点,这点在之后让其大火的《你的名字》里得到了显著改善和加强。然而,个人认为,新海诚最优秀的作品,当属《言叶之庭》。

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那样诗意流畅的短片,带着一丝雨后的清新让人着迷向往的味道,可惜那之后,再也看不到类似的了。

《你的名字》大火过后,新海诚的电影似乎就失去了他所擅长的抒情与观察入微。然而叙事上面又挖掘不出新意,剧情简单没有新意的同时,故事也没有太多乐趣,让一直看他电影的我感到无趣且乏味。

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几年前的《天气之子》没有去看,想来应该也没甚可惜。褪去了自己最擅长最引人注目的部分,又拿不出新的吸引人的东西,新海诚的动画电影好像沦为了一种形式。

食之无味,弃之不可惜。

这部《铃芽之旅》也一样。在技术越来越先进完善的今天,精致的画面不再是稀奇,而是众多动画与电影都可以做到的事实。

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这样看来,《铃芽之旅》就没有可以称道的地方了。

十几岁的少女遇见从事特殊事业的男生,两人一起踏上阻止灾难的冒险。

开头男主因为一些原因迅速“掉线”,导致影片大半部分时间里我们看见的是女主带着一把椅子在行走,这让有着精致俊美容貌的男主少了发挥机会,也让影片更少了一点看头。

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比起常见的可爱活泼女主、帅气温润男主,那只叫作大臣的小猫似乎设定更生动、更吸引人目光一些。

男主的好友也不错,风趣幽默。最后阻止灾难时刻,男女主携手镇压灾难源头,也并未感到些许高兴或者感动,只是觉得这乏味冗长的旅行终于结束了。

大概三年后新海诚又会携带新作而来,希望那时候能有一些惊喜和趣味吧。

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