动漫主角的塑造太难,众口难调是最大问题

作为一部作品当中最关键的一环,有的时候,一个优秀的主角的塑造往往能够成为作品当中的点睛之笔。但是也正是因为这样,对于动漫当中的主角的争论,可以说是从来都没有缺少过。伦也被打成人渣,桐人被人评价装蒜,可以说只要你想,总能够挑出一个刺来。
但是这个时候问题来了,主角的塑造,究竟有一个怎样的标准呢?
其实说穿了,主角塑造的方式也就只有两种,一种是真优秀,一种是真低劣。就好像我刚才举的桐谷和人的例子,拿着一把剑砍天砍地,黑衣逼王名不虚传。而在另一方面,织斑一下这种主角,就是朝着真的蠢得方向去塑造得。别看他是全世界唯一一个能够动用IS的男性,但是对于观众来说,织斑一夏是真的傻。
因此可以这么说,观众眼中的主角的境遇,其实和主角本身在动漫当中塑造的地位是不一样的。比如比企谷,动漫当中的比企谷是一个班级底层的死鱼眼,只能依靠自爆来换取和平。但是对于观众来说,比企谷有妹,有同学喜欢,最后娶了大家族的次女,可以说是妥妥的人生赢家的面板。
人类的悲欢并不相同,更何况是次元壁的内外。而这也就导致了,有的时候对于主角的塑造,也是显得众口难调。
不难发现,实际上这两种主角,都是有着明显的对应关系的。织斑一夏这种要塑造的就是你行你上,主角表现越拉跨,那你的代入感就越强。安艺伦也当然不是一个只会土下座求人的废物,但是动画就是想要表现出来这种你行你上的趋势。
然而对于路飞和桐谷和人这一类的主角,你行你上无疑就行不通了。相反,这一类的主角所表现出来的,应该是你不行。实际上这反而是我比较好奇的一点,按照日本那边对死宅的看法,桐姥爷作为死宅应该是划分到二类主角当中的。不过刀剑神域能够显得别树一帜,或许也和这方面的改动有关。
也正是因为这样,galgame当中的主角不是没有脸,就是胖子。战X恋当中的男主角特意增添了一道疤痕,本身的长相也并不是那么的令人舒服?这是制作组做不出好看的脸吗?这是漫画的老师画不出帅气的男主角吗?换个角度来想,这是为了增加读者的代入感。
当然了,这两种类型也并非是绝对。比如漩涡鸣人就有着一个从二类主角向着一类主角成长的经历,而学院默示录当中的小胖子虽然是个配角,但是同样也有着这方面的转变。但是不论如何,作为一个主角,必须要表现出自己明确的特征。毕竟中庸代表的往往就是平庸,作为一个主角如果没有特质,又怎么让别人记住呢?
毕竟就算是炭治郎都能够被人说成是圣母,这样完美的人设都有人刻意增加冲突性,你让其他那些塑造的垃圾的主角怎么办啊?
不是青山刚昌执着经典三选一的设定,而是故事内容
《火影忍者》创作背后的故事,三代火影最初设计是大BOSS
Extended reading.
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