《长安三万里》:李白、高适与大唐

我和朋友去看了《长安三万里》的点映,颇有感慨。之前在电影院看《新神榜:杨戬》的时候,就在片尾看到了《长安三万里》的预告,之后也是一直关注着这部片子的动向,等来等去终于等到了这部动画电影的点映,毫不犹豫地叫上了朋友一起去观影。

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《长安三万里》在宣传物料中提到了,这部作品是追光动画十年钜献,我觉得在制作质量上确实达到了精心打磨的程度,动画里李白提到的铁杵磨针的老奶奶,我觉得动画组一定程度上也暗示了对于本作十年如一日制作的不容易。

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《长安三万里》的制作水准和美术水平,比起《新神榜:杨戬》优秀了不少,当然不能说是《杨戬》太差了,只能说是《长安三万里》精益求精,不管是正片的画风,还是不时穿插着的水墨画风格,绝对都达到了国内一流的水准。

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对于配音方面,我觉得《长安三万里》水平也是极高的。我之前看了《长安三万里》的配音特辑,说是因为整个制作流程拉扯得太长了,各位配音演员,包括为老年高适、老年李白献声的吴俊全、宣晓鸣两位老艺术家隔一段时间就得来补配一段内容,相当辛苦。吴俊全老师曾担任《三国演义》的旁白,宣晓鸣老师曾在多部电影中为周润发配音,两位老师的声音浑厚、演技高超,为本作增色不少。

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作为年轻的配音演员杨天翔和凌振赫,这次在作品中为青年高适和李白配音,之前在《新神榜:哪吒重生》里也有过合作,这次二搭,两人的表现也很出色。李白的洒脱和“神经质”和高适的冷静和落寞,个中细节都在配音过程中展现了出来,活灵活现。

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本作不够出色的地方,我觉得在于剧情的编排,本作以李白和高适的视角展现了大唐由盛转衰的过程,包括吐蕃攻入长安、安史之乱等真实历史,剧情中都有涉及,或许是因为故事太过宏大,通过个人视角去讲述历史史诗有一定难度,我觉得本作在剧情的编排上缺少了几分灵性,因为整个电影时间较长,超过了160分钟,所以会在观影时感觉故事讲的非常碎片化,不够连贯,而且前期剧情比较平淡,很难抓住观众沉浸其中的欲望,虽说如此,但本作依旧是一部非常值得一看的作品。

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